Historical biography constituted the specific scholarly angle we addressed during our study of the Reformation. Cultural representation and the historical imagination will enrich our study of the Age of Exploration. Read below and answer all questions (you must respond by 7:50am on 10/15).
Broadly construed, cultural representation (CR) has to do with how one culture views another culture and why. Cultural views one of/to another can take the form of artwork, sculpture, a poem, a novel, a text, a digital image, a word, a gesture, a song, feeling or sentiment, to name a few, and vary widely over time, place, and context. However, don't let my simple definition obscure the complexity of CR.
Scholars of CR typically study it in terms of power relations: the dominant power in society, those who possess "hegemony," control the terms on which cultural discourse takes place; yet, these specialists point out that those on whom hegemony rests (the "oppressed") also possess a certain kind of power--resistance--that reveals their own codes of discourse and strategies of/for survival. Those who study this dynamic write that the resistance of the oppressed infuses them with agency and that this agency can uncover new meanings about society; in other words history is not some arbitrary force acting upon human beings, but rather human agents act, think, feel, etc. to make sense of the world in which they live. If you took my world history class you may be thinking that this sounds similar to Marx's categories of proletariat and bourgeoisie and the revolution that was part of Marxian understandings of society; many CR scholars count Marx as a key theoretical influence on their work.
Scholars study CR in political contexts, economic contexts, textual dimensions, in terms of gender and sexuality, religious, etc. in order to understand how societies view one another and what exactly constitutes the varied relationships that exist in a given time and place.
Stuart Hall is one of the most important scholars of CR and has written prolifically on the topic. Click
here to view a very cool yet important slide show by University of Colorado-Boulder professor Robert Craig that details Hall's analytical approach. Read an interview with Hall
here.
(
James Scott [read
here too] is another luminary in the field who writes about "
hidden transcripts.")
Listen to
this 5-minute segment and respond in the comments section.
DISCUSSION QUESTIONS: How does Hall define CR? Why does CR matter, and what can/does it reveal about individuals and societies? What still puzzles you about cultural representation?
I want us as a class to think about cultural representation during the Age of Exploration. Consider the Columbus and Cortez readings from your textbook. From the perspective of CR, what new things might we learn from these texts? (Yes, I want you to answer this question, too.)
Visit the amazing on-line exhibit at U. Penn called "
Cultural Readings." Read the Introduction to get a sense what it is all about, its aims, goals, etc. Next, take a look at the "
Viewers and the Viewed" segment ("chapter") of the exhibit, which focuses on printed images of "Indians." List and explain at least 2 ways this chapter in the exhibit challenges you to see the Age of Exploration in a new way. And the $10 million dollar discussion question for Monday: who is/are the viewers, and who is/are the viewed?