Monday, February 25, 2008

European History and W.E.B. Du Bois



To add to our discussion about World War I, and as a way to conextualize the portion we are reading from Darkwater (1920), I offer this introduction to the life and times of W.E.B. Du Bois (1868-1963).

Start here with a short biographical sketch of Du Bois, and a photo-text exhibit on Du Bois's life.

The University of Massachusetts-Amherts contains the largest collection of Du Bois's papers, and hosts an on-line repository with tons of pictures and a large number of documents. In fact, the Afro-American studies department at UMass-Amherst takes it name from Du Bois. Here's another collection of things Du Bois (click on the animated map--a cool feature of the site), and a short summary of his early life in Great Barrington.

Here's a report about the history of Du Bois's Encyclopedia Africana project, another project related to Du Bois's encyclopedia idea, and some pictures from Du Bois landmarks in Ghana.

I mentioned in the Du Bois lecture that he spent time studying in Germany, an obvious connection with AP Euro. Read some thoughts about that here. Read this interesting exchange between two scholars about Du Bois's posture toward Joseph Stalin.

There's the W.E.B. Du Bois Virtual University, Professor Robert Williams's fabulous repository of Du Bois resources, the resources page at the W.E.B. Du Bois Department of Afro-American Studies at UMass-Amherst, Dr. Steven Hale's Du Bois on-line selections, resources from the Documenting the American South project, the Perspectives in American Literature (PAL) page, the reading room at Harvard's Du Bois Institute, documents from the FBI files of Du Bois (though redacted), Du Bois's New York Times featured author page (subscription required), the e-project at the University of Virginia Library (scroll down for Du Bois), and in other various places Paul Harvey points out.

Another interesting site comes from Dr. Richard Rath, a historian who does sensory history among other things, teaches at the U. of Hawaii and with some students developed a kind of soundtrack to Souls of Black Folk. It is amazingly cool, and a helpful resource in teaching. Check it out here.

Other on-line readings from Du Bois include Darkwater (1920) which includes an interesting story titled “Jesus Christ in Texas.” Du Bois's “A Litany at Atlanta” is a psalm of lament written in response to the 1906 Atlanta riot that we talked about in class. Another interesting piece from Darkwater is "The Souls of White Folk" with clear references to World War I, among other things.

In 2007 two bloggers interviewed Edward J. Blum, a scholar of W.E.B. Du Bois who published an important book titled W.E.B. Du Bois, American Prophet. (Be sure to read the customer reviews of Ed's book, as well as this recent review.) You will learn more about Du Bois, of course, but also tons about how historians tells stories about the past, and how professors and teachers teach history. Read one interview here, and the other 7-part conversation below.
Part 1
Part 2
Part 3
Part 4
Part 5
Part 6
Part 7

Ed has also written a few things for the University of Pennsylvania Press blog. Here's a piece about how Du Bois might respond to several contemporary high-profile atheists--interestingly enough a charge leveled many times over at Du Bois himself. Here's an editorial wherein Blum offers political advice to Barak Obama and the Democratic Party via the work of Du Bois. Finally, here's an entry celebrating Du Bois's birthday.


And speaking of birthdays.....since mine is coming up (as is Du Bois's on Feb. 23), I can't help but mention two interesting gift ideas-- I mean teaching aids: a W.E.B. Du Bois doll (seriously), and a Du Bois t-shirt.




[Photo credit here.]

Friday, February 22, 2008

"Picturing" World War One


Spend some time at this photo exhibit, as well as these on trench warfare (and here too), select an image that impacts you and explain why.
Leave your thoughts in the comments section and/or be prepared to discuss on Monday.
View this video about propaganda and World War I. For footage of shellshock victims, watch this.

Tuesday, February 19, 2008

History "Rocks" 1.0: World War "One"



In order to stay in tune with today's discussion of music and culture and WWI, I offer this post both as a learning tool and as a way to highlight one of my favorite bands (in addition to this musician): Metallica.





Metallica's 1989 song "One" was inspired by the novel "Johnny Got His Gun." Published in 1939, this anti-war story is about a soldier injured during WWI. The phrase "Johnny Got His Gun" comes from the George Cohan song "Over There" we listened to in class.





The novel has been adapted to the stage (the 1940s) and the screen (the 1970s), and a new film version is scheduled to debut this year.





Metallica's music video for "One" won a Grammy in 1990 and is quite famous; it musically depitcs tension, conflict, and via drums, machine guns. Check it out here and read the lyrics here.





A couple of questions......


What is significant about the historical context of the book's publication in the late 1930s, and about the film version of the book (both during the 1970s and today)? What does the song say about wartime experiences, and how does this relate to what we've read and discussed in class?

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Reading: pp. 729-36, and for those to whom this applies, don't forget the AP fee that's due tomorrow.
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[Photo credit here.]

Wednesday, February 13, 2008

Modernity, Anxiety, and Imperialism

Read pp. 681-86 and answer the first focus question (typed) on p. 681.

Wednesday, February 6, 2008

European Locks





No, this is not a post about my hairstyle when traveling to Europe, but real locks through which the photographer traveled. Photos courtesy of El Peruano.

Sunday, February 3, 2008

History Goes to the Movies: Africa


A new film premieres Monday, February 4 called "Prince Among Slaves."

Here's a brief synopsis from the film's website:
1788. The slave ship Africa set sail from the Gambia River, its hold laden with a profitable but highly perishable cargo—hundreds of men, women and children bound in chains--headed for American shores. Eight months later, a handful of survivors found themselves for sale in Natchez, Mississippi. On the slave auction block, one of them, a 26-year-old male named Abdul Rahman Ibrahima made an astonishing claim to Thomas Foster, the plantation owner who purchased him at auction: As an African prince, highly educated and heir to a kingdom, this bedraggled African’s father would gladly pay gold for his return. Foster dismissed the claim as a tissue of lies.

Follow this link for coverage of the major historical figures that factor into Abdul Rahman Ibrahima's life including John Quincy Adams, Andrew Jackson, Francis Scott Key and David Walker. The film is based on Terry Alford's Prince Among Slaves (Oxford University Press, 2007; Thirtieth Anniversary Edition).
Watch clips of the film here and read some press clippings about the film. And the rapper Mos Def is the film's narrator.

In addition to Alford's book, this film appears as if it will work in tandem with Sylviane Diouf's work on the ship Clotilda, and much of Michael Gomez's outstanding scholarship on Africans in the Americas. Check out this on-line exhibit about Africans in the Americas from the Schomburg Center.

Watch the film and leave your comments.

[Photo credit here.]